Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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unknow artist
bilen forestaller brook s club enuljo jormog ma hasardspelare.

ID: 61281

unknow artist bilen forestaller brook s club enuljo jormog ma hasardspelare.
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unknow artist bilen forestaller brook s club enuljo jormog ma hasardspelare.


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unknow artist

  Related Paintings of unknow artist :. | Vista general de Guanajuato | Still life floral, all kinds of reality flowers oil painting 88 | Portrait of shah Tahmasp | Portrait of Elizabeth of Russia | Interior of the hall of the Leiden society 'Kunst wordt door Arbeid verkregen' |
Related Artists:
Aron Gerle
painted Skargardsmotiv in 1860-1930
Willem Van Leen
Dutch, 1753-1825
Eric Ravilious
British Painter, ca.1903-1942 English painter, wood-engraver and designer. He was educated at Eastbourne School of Art and then at the Royal College of Art (1922-5), where he was taught by Paul Nash and became close friends with Edward Bawden. His early works included the refectory mural (destr. 1940) in Morley College, London, and wood-engravings in the tradition of Bewick for the Golden Cockerel, Curwen and Nonesuch presses. In the 1930s he began painting larger compositions in a wider range of colour, and this led him to use lithography for such illustrations as those for High Street. Ravilious also produced designs for Wedgwood, including the celebration mug (1936) for the coronation of King Edward VIII, which was withdrawn and revised for the coronations of George VI and Elizabeth II; the Alphabet mug (1937); the Afternoon Tea (1937), Travel (1938) and Garden Implements (1939) china sets; and the Boat Race Day cup (1938). He also designed glass for Stuart Crystal (1934), furniture for Dunbar Hay (1936) and graphic work for advertisements for London Transport and others. Despite his success as a designer, Ravilious concentrated increasingly on watercolours. His landscapes and rural interiors often featured the downland and coast of southern England; haunting and lyrical, these works show a world in suspense and often feature chalk hill figures, as in Train Landscape (c. 1939; Aberdeen, A.G.) and empty rooms.






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